Friday, February 17, 2017

REVIEW: THE BEATLES' "SGT. PEPPER'S LONELY HEARTS CLUB BAND"

Sgt. Pepper’s Lonely Hearts Club Band is the eighth studio album released by The Beatles, perhaps one of the greatest classic rock bands of all time. In light of the band’s massive success, Sgt. Pepper’s was met with instant acclaim and commercial success, but to this day has been regarded just as highly for its icon status, becoming what many consider to be the single greatest album of all time.

The content:

I’ll admit that I’ve never been a fan of 60's rock, particularly for its softness compared to later rock movements.

Sgt. Pepper’s, however, is about as in-your-face as rock can get while maintaining a low-grit, happy-go-lucky snap to its groove.

Revolving around the concept of the alter-ego Sgt. Pepper’s Lonely Hearts Club Band, the album’s thirteen tracks weave through different styles such as circus-inspired electro, Hindu classical, and toned-down folk rock. While it’s this strong variety united within the Sgt. Pepper’s concept that makes the album unique from earlier Beatles’ albums, the album still executes an enjoyable, consistent listening experience – even for those who, like me, have never given much attention to The Beatles in the past.

I find myself so drawn to this album because of its crispness – even writing on it fifty years later, I can still feel the ingenuity that inspired it, its avant-garde stylings that impressed even in 1967. The concept behind the music, whether it’s grandiose or scaled-back, is such a present driving force that you feel the ups and downs of the story as it progresses.


Two of the biggest tracks that maintain the narrative, “Sgt. Pepper’s Lonely Hearts Club Band” and its reprise, are easily the most “vanilla” rock tracks on the album while throwing in circus-like elements into the mix, bringing the alter-ego band concept full circle. The title track, which opens the album, and its reprise, as the penultimate track, provide the framework for how the music will ebb and flow through thirty-nine minutes of glam and grandeur.

One of the more different tracks that sticks out is “Within You Without You”, a Middle-Eastern inspired ballad whose soft vocals feel innately textured within the track’s sitar. Another track, “Lucy in the Sky with Diamonds”, begins with similar instrumentals. These tracks, though on the surface seem to be the anti-thesis of rock music, simultaneously seem to change the very way in which this album defines “rock”. It is through the unconventional that Sgt. Pepper’s sets the standard of the narrative over the arrangement.


The impact:

Sgt. Pepper’s impact as a singular piece of music, as what’s argued to be the greatest album of all time, is nearly immeasurable.

Let’s start, then, with the measurable.

Sales-wise, the album sold 2.5 million copies in the United States alone by the end of 1967, going on to sell another million before the decade’s end. Worldwide, the album has sold an astounding 32 million copies – one of the highest sales figures ever for an album.

But, from a cultural standpoint, Sgt. Pepper’s has had more impact than any sales figure could ever recreate.

For the time in which it was released, the album was perceived as a cry of rebellion.

“In Sgt. Pepper's intricate aural tapestry is the sound of four men rebelling against musical convention and, in doing so, opening wide the door for the sonic experimentation that launched hard rock, punk, metal, new wave, grunge and every other form of popular music that followed,” wrote Christopher Spinelli for Guitar World.

Sgt. Pepper’s, upon its release, was not only a rebel against everything music stood for at the time, but also a cultivator in what music would come to mean.

“It was the big bang of albums,” said Andy Greene of Rolling Stone. “This was the first concept album. All the songs go together to tell a story, and it's inspired every musician." Rolling Stone Magazine would later go on to place Sgt. Pepper’s on its list of 500 Greatest Albums of All Time – specifically, at #1.

Paul McCartney himself commented on the album’s novelty status at the time.

“It was more of a production,” said McCartney. “On 'Sgt Pepper’s' we had more instrumentation than we'd ever had. More orchestral stuff than we'd ever used before.”

John Lennon also referred to Sgt. Pepper’s as the band’s magnum opus.

Sgt. Pepper’s is one of the most important steps in our career,” said Lennon during the album’s release. “It had to be just right. We tried, and I think succeeded in achieving what we set out to do. If we hadn't, then it wouldn't be out now."

World-renowned musicologist Oliver Julien, of Paris-Sorbonne University, has also spoken of the revolutionizing of the idea of an “album” as a result of Sgt. Pepper’s, citing the industry’s shift from albums as a “distribution format” to a “creation format” as a result.

In other words – Sgt. Pepper’s singlehandedly landmarked the use of an “album” to make a creative point, rather than a platform with which to release music.

The future:

When it comes to the future of The Beatles, the band’s physical feature doesn’t come into play (the group disbanded in 1970), but rather how its legacy will carry on through the following decades.

From the original “Beatlemania” fad in the 1960s to the band’s continued cultural relevance today, it doesn’t seem likely that The Beatles will fade into obscurity; it’s multiple successes, from Rubber Soul to Sgt. Pepper’s to Abbey Road, have permanently sealed The Beatles’ place in history as one of the greatest rock acts ever to grace the radio.

McCartney, who is now approaching his 80s and is one of just two Beatles left alive, has no qualms about continuing to perform solo in his old age.

“People say age is a number,” said McCartney. “It's a big number the older you get. But if it doesn't interfere, I'm not bothered. You can ignore it. That's what I do.”


Next week’s review: Linkin Park’s “Hybrid Theory”

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